Tsotsi Character Analysis
- Tsotsi Character Analysis Questions
- Tsotsi Character Analysis
- Tsotsi Character Analysis Meaning
- Tsotsi Athol Fugard Character Analysis
- Tsotsi Character Analysis Boston
The main character who is known as 'Tsotsi'; a South African term for gangster or thug is a nineteen year old teenager who takes the viewers on a trip into his bygone horrific childhood days and his incredible decision to change his life and not act out his resentment towards the world. Tsotsi is feared for his ruthlessness. When he appears on the streets on his way to committing a crime, people show their fear by securing their properties or moving out of the way.
The main character who is known as 'Tsotsi'; a South African term for gangster or thug is a nineteen year old teenager who takes the viewers on a trip into his bygone horrific childhood days and his incredible decision to change his life and not act out his resentment towards the world. In Tsotsi, I believe there are two main themes that are shown to us in many different forms throughout the movie; the first one is HIV/ aids as it is shown to us in many different forms throughout the movie, the second theme is reformation, the turning of tables; the change from bad to good; and the term 'decency'. The film is filled with intense emotion where Tsotsi an under aged gang leader; showing no expression, no sympathy and could not care less about who he killed for a small amount of money. All of this was transformed by the vulnerability of a small, innocent, defenseless baby.
The movie begins with distinguishing and giving each gang member a character profile. In the start they are shown to us as uneducated people who gambled and played with dice but were unable to count the dots. Only a failed teacher with the name Boston is ab...
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...ts such as pianos, violins and harmonicas. Showing that Tsotsi had undergone a change from wildness to coolness. In the beginning of the movie we are met with Tsotsi wearing dark clothes covering his face with hoodies showing that he is up to mischief and trouble, however when he goes to return the baby to its rightful owners we see him wearing smart clothes and white also representing serenity and enlightenment.
The movie is a very moving, sensitive and emotional story of redemption. The tale of how a young heartless thug can change into a softhearted guardian. This demonstrates that despite the poor living conditions, awful events and how heartless someone may seem. You can adapt to your surroundings and situations, you can also transform your life. Everyone has good in them you just choose whether to value it and utilize it or not appreciate it and discard it.
Tsotsi Character Analysis Questions
He leads a loose-knit gang that smashes and grabs, loots and shoots, sets out each morning to steal something. On a crowded train, they stab a man,- and he dies without anyone noticing; they hold his body up with their own, take his wallet, flee when the doors open. Another day's work. But when his friend Boston (Mothusi Magano) asks Tsotsi how he really feels, whether decency comes into it, he fights with him and walks off into the night, and we sense how alone he is. Later, in a flashback, we will understand the cruelty of the home and father he fled from.
Tsotsi Character Analysis
Tsotsi Character Analysis Meaning
He goes from here to there. He has a strange meeting with a man in a wheelchair, and asks him why he bothers to go on living. The man tells him. Tsotsi finds himself in an upscale suburb. Such areas in Joburg are usually gated communities, each house surrounded by a security wall, every gate promising 'armed response.' An African professional woman gets out of her Mercedes to ring the buzzer on the gate, so her husband can let her in. Tsotsi shoots her and steals her car. Some time passes before he realizes he has a passenger: a baby boy.
Tsotsi Athol Fugard Character Analysis
Tsotsi Character Analysis Boston
Tsotsi is a killer, but he cannot kill a baby. He takes it home with him, to a room built on top of somebody else's shack. It might be wise for him to leave the baby at a church or an orphanage, but that doesn't occur to him. He has the baby, so the baby is his. We can guess that he will not abandon the boy because he has been abandoned himself, and projects upon the infant all of his own self-pity.
We realize the violence in the film has slowed. Tsotsi himself is slow to realize he has a new agenda. He uses newspapers as diapers, feeds the baby condensed milk, carries it around with him in a shopping bag. Finally, in desperation, at gunpoint, he forces a nursing mother (Terry Pheto) to feed the child. She lives in a nearby shack, a clean and cheerful one. As he watches her do what he demands, something shifts inside of him, and all of his hurt and grief are awakened.